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Their version was released as a single that year and re-introduced newer listeners to Gaye's original. jack off Party 104 Part 2 raw - Alan Jurak Jan Ruzek Marian Jenda Tono Juran - We Trust 77 views / 16:56 rating: 87 sofa dongs And Boi teens With Felix, Allen And Mirko 72 views / 32:29 rating: 70 hairy Bear oral enjoyment With goo flow. The song has since been covered by a legion of jazz vocalists and groups including Fourplay, who covered it with longtime Gaye admirer, R&B singer El DeBarge, in 1991. The song was Marvin's lowest-peaked pop single for the first time in 13 years since the B-side of his " Can I Get a Witness" titled "I'm Crazy 'Bout My Baby", peaking at number 74, ironically three places higher than "I'm Crazy 'Bout My Baby", while it was a bigger success on the R&B chart, peaking at number 14. The single came out on the strength of its success as a double-A side on the Billboard Club Songs chart, where it had peaked at number 10 alongside the album's hit title track. The instrumental version received a nomination at the 1977 Grammy Awards for Best R&B Instrumental Song. The song also served in a funky instrumental, which included a synthesizer solo performed by Marvin, who also played piano on the song and the entire album itself. Throughout the entire I Want You album, which was dedicated to Marvin's live-in lover Janis Hunter (who wrote a 2015 memoir entitled After the Dance: My Life with Marvin Gaye), the narrator - Gaye - brings up the dance concept in songs such as " Since I Had You". Written by Marvin Gaye and his co-producer Leon Ware, the song narrates a moment where the author noticed a woman on Soul Train and convinces the girl to "get together" after the two shared a dance. Though it received modest success, the song was one of Marvin's best ballads and served as part of the template for quiet storm and urban contemporary ballads that came afterwards. " After the Dance" is a slow jam recorded by singer Marvin Gaye and released as the second single off Gaye's hit album I Want You (1976). Motown Recording Studios ( Hollywood, California) The post #SavageChallenge creator Keara Wilson gets copyright to viral TikTok dance appeared first on TheGrio.1976 single by Marvin Gaye "After The Dance"ġ975, Marvin Gaye Studios ( Los Angeles, California) TheGrio is now on Apple TV, Amazon Fire and Roku.
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Have you subscribed to theGrio’s “Dear Culture” podcast? Download our newest episodes now! This is not a film about dance it’s a film about change, justice and fighting for creator rights.” Meridith Rojas, Logitech For Creators’ global head of entertainment and creator marketing, said the company shared “JaQuel’s mission of driving change and conversation about creative copyright, and we’re taking steps to support this monumental work. The acclaimed choreographer also tells his own story about copyrighting his creations, including signature moves from the “Single Ladies” music video. If the choreography is used in feature films, commercials, or video games, the creator can now receive payment for its usage.Īlso announced at Tuesday’s event was a short film produced by Knight that will follow creators on their quest to own the rights to their work. Copyright Office receives less than 20 applications annually for choreographic works.Ĭopyrighting the dance moves puts the power back in the creator’s hands, positioning their work as intellectual property, ensuring that they receive due credit. Knight and Logitech surprised the creators with the news that their dances had been copyrighted.Īccording to the release, the U.S. The copyrighting and this week’s event come on the heels of pushback from striking Black TikTok creators, who say they have been marginalized and shut out of earnings potential on the popular app. “I am so inspired by this incredible group of choreographers and am so excited to be able to share this historic moment with them as we move toward real change in the commercial music and entertainment industries.” “The foundation’s hope is to impact, encourage and inspire the next generation of artists and build a community that supports each other,” he added. For all of the little boys and girls who look like me.” “The JK Foundation was ultimately started,” said Knight, “to provide a place of support for dancers (during an extremely fragile time in the pandemic, nonetheless), and to put the power back in the artists’ hands - not just for myself, but for the next JaQuel Knight. Knight - the choreography creative behind the expertise expressed in the video for the Beyoncé smash “Single Ladies (Put A Ring On It)” and her Black Is King and Homecoming big-screen projects - said he is thrilled to partner with Logitech to help these young creators take steps to protect their gone-viral creations. (Photo Tommaso Boddi/Getty Images for Logitech For Creators) Logitech For Creators’ Meridith Rojas (left), Keara Wilson (center), creator of the “Savage” dance, and choreographer JaQuel Knight (right) at Tuesday night’s dinner event.